The guy who sang the hook for B.o.B’s “Nothing at all On You” and Travie McCoy’s “Billionaire,” is getting some solo face time in his personal audio video. Bruno Mars makes artwork with cassette tape as he laces a woman with compliments in his debut new music video clip “Just the Way You Are.” The track also serves as a debut sole for Mr. Mars (true name: Peter Hernandez), whose debut studio album Doo-Wops & Hooligans is set to release on October 5th. Bruno is also scheduled to perform on the major stage Sunday (Sep 12) at the 2010 MTV Picture Songs Awards.
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For a 3rd consecutive week, Bruno Mars’ “Just the Way You Are” is No. 1 on the Billboard Sizzling 100 chart. Far East Movement’s techno get together-starter “Like a G6? flies up four spots to No. 2. Katy Perry’s “Teenage Dream” falls a area to No. 3.Nelly’s “Just a Dream” rises 3 to No. four. Both falling one spot, Usher’s “DJ Received Us Fallin’ in Love” is No. 5 and Taio Cruz’s “Dynamite” is No. 6. Eminem’s Rihanna-assisted “Enjoy the Way You Lie” slides again four locations to No. 7. But the red-haired singer is at it alone on “Only Girl (in the Entire world),” which holds at No. 8. Enrique Iglesias’ “I Like It” stays at No. 9. And “Club Can’t Deal with Me” by Flo Rida rounds out the top 10 at No. 10.
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Described by its creator as an ecstatic work of negativity, ROBYN HITCHCOCK instantly stands among the most energized and ambitious recordings of the iconic troubadours long career. Hitchcocks 21st studio recording and first-ever eponymous release, the album sees him casting familiar shapes into surprising new forms, the sci-fi fueled sounds and visions that first stimulated his work now ribboned with experience and hard-earned wisdom. Spanning dystopic psychedelia (Mad Shelleys Letterbox, Time Coast), inspired folk baroque (Raymond and the Wires, 1970 In Aspic), even rambunctious liver-fried country (I Pray When Im Drunk), ROBYN HITCHCOCK marks both a masterful new chapter and ideal entry point into Hitchcocks wildly brilliant oeuvre.Its Introducing Robyn Hitchcock, he says. Think of me as a new act Im only 63. People always ask me, where should I start listening to your records? Im a train with many carriages. I thought, Ill just make this record and if people like this one, then theyll probably like the others. If they dont, its not worth them listening to any of them, really. ROBYN HITCHCOCK had its genesis in 2014, not long after Hitchcock officially relocated from England to East Nashville. Its a new life with a lot of familiar ingredients, he says. Its hard to say Im safe in the bosom of the Statue of Liberty at the moment, but Im among a lot of friends here.One of those many friends, Nashville neighbor Brendan Benson, soon reached out with an offer to produce an album. The singer-songwriter-producer did have one caveat: Can you make a record like the Soft Boys?I said, well, I could use the same instrumentation, Hitchcock says. Two guitars, bass, drums, and harmonies. Which obviously is the template that comes from the Beatles and Big Star and the Byrds, all of those groups that the Soft Boys were nourished by. But of course Im not fueled by the same nutrients anymore. I dont have the same anger that I had as a 25 year old.Four decades as bandleader, singer, and songwriter have seen Hitchcock employing and deconstructing that standard model to veer between sonic styles and overall approaches, from the Soft Boys proto-psych-punk and the Egyptians Dadaist pop to acoustic-built masterpieces like 1984s milestone I OFTEN DREAM OF TRAINS and his most recent release, 2014s Joe Boyd-produced THE MAN UPSTAIRS. My progresses are spiral, he says. I move from louder to quieter to louder to quieter in a sort of corkscrew fashion. I move from being inane to being morose. If I have any balance, its because I spiral between the two. This one defines the electric me, but maybe if I did ROBYN HITCHCOCK II, it might be more acoustic. I mean, theres not much to choose from.Hitchcock did have his choice of Nashvilles finest pickers and players, uniting a crack backing combo that includes guitarist Annie McCue, steel guitarist Russ Pahl, bassist Jon Estes, and drummer Jon Radford. Harmony vocal contributions come courtesy of Grant Lee Phillips, Gillian Welch, Wilcos Pat Sansone, and singer/songwriter Emma Swift. You get to Nashville International Airport and it says Welcome to Music City, he says. Theyre not kidding. Its what it says on the label. Nashville is full of high quality players, just sitting there in the bars, looking coquettish with their legs crossed, waiting for you to pick them up.ROBYN HITCHCOCK was largely made up on acoustic guitar as Hitchcock traveled the world on his seemingly endless tour, its songs often started on one continent and finished on another. Always a prolific writer, Hitchcock is as fecund as ever, noting how songs turn up without me even looking. Like cats, they just appear. I can be doing the dishes and realize Im actually thirty seconds into a song thats playing itself in my head. I think, ok, do I go and write this down or do I let this one go? I tend to let them go now because I dont need so many of them. Hitchcocks psychic catch and release has yielded him a full net bursting with top material. Songs like Sayonara Judge and Detective Mindhorn the latter inspired by Mindhorn, a new film co-written by and starring his friend Julian Barratt of surrealist British comedy troupe The Mighty Boosh are gorgeous and intense, rife with astringent wit, recurring marine life, and finely drawn characters real and imagined. In a way, its all happening inside me, he says. Robyns Internal War. In the war between him and himself, there were many casualties.Raymond and the Wires is perhaps the most personal song on ROBYN HITCHCOCK, possibly the most explicitly personal one in his 40-year songbook. An evocative ode to memory and progress, the song sees Hitchcock peering back through the fog of time to examine the still-impactful influences of trains, trams, and trolleys and his late father, science fiction writer and cartoonist Raymond Hitchcock.I am an obsolete electric traction freak, he says. When I was at my 11-year-oldest, filling myself with Doctor Who and HG Wells and the Beatles, I found myself drawn to the trolley buses, these vanishing double-decker beasts that fed from overhead wiring, halfway between an ordinary tram and buses. There were only a few trolley bus systems left but I remember my father taking me to see one in a nearby town; it mustve been 1964. I didnt do a lot of stuff with him, I didnt interact with him very much, but whenever we did it made a big difference. It was him that turned up with a radio one day and said, You might want to listen to this, and it was the Beatles on Pick of the Pops. When Bob Dylan made his Isle of Wight appearance in 1969 we lived in Hampshire and mysteriously Old Bob had chosen to do his only gig for three years just down the road Raymond said, Right, youll be wanting me to drive you to Southampton at half seven tomorrow so you can buy tickets. He was remote and self-absorbed in a lot of ways, but he, as parents do whether one loves them or not, has been a big influence.Hitchcocks one-of-a-kind approach remains as exuberant, irreverent, and immensely moving as ever before, the verbal hijinks and fantastical imagery always in service of surprising emotional exploration and forward-thinking vision. ROBYN HITCHCOCK surely embraces Hitchcocks sonic past, but songs like the metamorphic first single, I Want To Tell You About What I Want are almost painfully of the moment, staring the future square in its orange marmalade face.People function on denial, Hitchcock says. We focus on the more benign aspects of our humanity but we do a lot of damage. We live at the expense of a lot of other people and a lot of other life forms. Were locusts with iPhones basically. Rats with laptops. Cockroaches on wheels. Thats where we fit in the ecosystem and we get by by denying it. I suppose this had to happen sooner or later. Theres an ecological crisis coming, a spiritual crisis, a financial crisis. Our chances are slim. It doesnt look good. Theres a lot of turbulence so buckle up. Maybe they wont crash the plane and we can move into a more enlightened era.Hitchcocks own future will see him strapping on his Stratocaster for a wide-ranging itinerary of live performances throughout the next year. Currently on the docket are full band shows supporting ROBYN HITCHCOCK in Los Angeles, New York, and Nashville as well as such trips through the back catalogue as his teaming with Yo La Tengo for full performances of his 1981 solo debut, BLACK SNAKE DIAMOND RLE, and the recent Soft Boys tribute show he performed in Melbourne backed by You Am Is Davey Lane.I cant see myself rock-touring again, he says, but I hope to spike my appearances with electricity.Robyn Hitchcock and ROBYN HITCHCOCK both have an undeniable pep to their step. Remarkably vital and positively vibey, the albums charged psych pop n roll stands as not just a high-water mark for Hitchcock but two joyfully raised fingers towards the inevitable.It is quite perky for a man of my years, says he. Ive been making autumnal records since I was 30. Now Im past the autumn of my life so Ive decided to start making spring records. I cant be bothered to sound as ancient as I am.I am, I suppose, growing old. But Im not growing up. The brush of maturity has not yet swept my fevered brow. FEBRUARY 2017