By way of criminal exploits and false bonds, “The Departed” explores duality and the unceasing consequences faced by men and women who practice it. The movie’s two lead protagonists embody the concept of duality, acting as character foils in their reactions to related scenarios. Although they share some of the identical childhood influences, subtle environmental variations propel each character’s options and tragic downfall.
The film is about the lives of two Bostonian Irishmen, both of whom pursue careers as state police. Matt Damon’s character, Colin Sullivan, seems like the standard hardworking man and do-gooder. He sails by way of police education, plays football with his colleagues, and rapidly rises to a lead position in a particular unit that handles organized crime circumstances. Even so, Sullivan is merely a mole and was recruited as a youngster by the nearby mob boss he’s now tasked with investigating. Leonardo DiCaprio’s character, Billy Costigan, has troubles in his previous and a loved ones history of criminal activity. He initially excels at the police academy but finds himself deterred from moving forward by two state police searching to recruit him. A lot like Sullivan, Costigan becomes a mole in the crime syndicate helmed by mobster Frank Costello (Jack Nicholson).
The film was directed by Martin Scorsese and, like a lot of of his operates, is about corrupt and unhinged folks who behave in approaches that are each unsettling and entertaining. The lengthy opening sequence cleverly sets up the polarity of Sullivan and Costigan’s situations. Sullivan grew up in the neighborhood controlled by Costello but was raised by his grandmother and maintains the air of an honorable citizen. Costigan also comes from a broken household, living with his mother in a middle-class setting and going to his criminal father in a neighborhood overrun with corruption.
When Sullivan is accepted into the organized crime unit, Captain Queenan (Martin Sheen) and Sergeant Dignam (Mark Wahlberg) note his impressive track record and sound function ethic. On the other hand, Costigan is approached aggressively by the very same guys, who choose apart his family’s criminal involvement and query his motives for joining the police force. However, the viewer quickly learns that it really is Costigan’s marked intelligence that causes these two males to deem him unsuitable for the force, not his background. To Queenan and Dignam, Costigan represents the excellent balance of cop and criminal. His loved ones is already connected to Costello, and Costigan clearly has the mental dexterity to infiltrate the crime ring with out revealing his true identity. At one particular point, Dignam correctly accuses him of making use of two various accents about his mother and father. The exchange shows that Costigan’s dualistic nature surfaced at a young age.
Sullivan is equally dualistic, but his fraudulent behavior is conditioned. He is groomed to be a plant and copes with conflicting loyalties while struggling to take control of his own identity. In an early scene, Costello buys groceries for Sullivan and his grandmother, establishing a father-son relationship that gradually becomes burdensome to Sullivan. Regardless of getting one particular of Costello’s most useful cohorts, Sullivan is trapped in a shaky servitude and is typically threatened by the same man who serves as a mentor figure.
In truth, the movie’s ending reveals how tenuous their connection is. Costello is initially suspicious of Costigan but rapidly brings him into the fold and types a comparable father-son connection with the police mole. Sullivan is an insider handpicked by Costello but by no means genuinely earns his trust. Costello teaches Sullivan abilities that make the false cop a threat as he grows far more independent. Costigan, on the other hand, is noticed as a loyal foot soldier simply because he cleverly downplays his intelligence and manipulative skills.
The idea of owning private identity is a main theme in “The Departed.” Sullivan falls in really like and dreams of a various profession. He realizes he have to neutralize Costello in order to claim that fantasy life and destroy evidence of his past. Costigan’s identity is owned by Queenan and Dignam. His actual identity is replaced with his criminal persona, and the two officers are the only men and women who can verify his undercover assignment. Each Sullivan and Costigan are physically impacted by their deceptive lifestyles. Sullivan begins to suffer from impotence, and Costigan becomes paranoid, insomniac, and mildly dependent on prescription drugs. Queenan gives a stabilizing influence for Costigan that Sullivan in no way receives.
Another notable presence is Sullivan’s girlfriend, Madolyn (Vera Farmiga), who is also Costigan’s psychiatrist. Both guys kind sexual relationships with Madolyn, but neither can be completely truthful with her. Sullivan exhibits an arrogance and abrasive confidence that somehow attracts other folks, but as a psychiatrist, Madolyn gradually sees traces of what lies behind the façade. In contrast, Costigan challenges her mentally and reveals glimpses of the emotional strain he suffers from. The robust connection in between Costigan and Madolyn reminds the viewer of the type of man he is underneath the criminal intrigue. Whilst they outwardly appear to come from different worlds, Costigan is brilliant and virtuous and would realistically be the appropriate match for Madolyn.
During Costigan’s interview at the start off of the film, Queenan asks whether he wants to be in law enforcement or basically seem to be. This theme develops alongside the dual protagonists, who try to abandon their false identities and reclaim their genuine ones. In both instances, these attempts finish tragically, leaving the audience with an important query: Is identity self-imposed or determined by the perceptions of other people?