If you have begun your research into becoming a licensed private pilot then you have discovered that there are two major training segments that you must complete. First the pre solo segment then the post solo segment.
Of course, it stands to reason that there are many things you must learn and become proficient in before you attempt your first solo. After all, once you reach this stage there is no room for error. Safety no matter what segment of training you are at must be the priority.
Qualified flight instructors are very adept at judging whether an individual is ready to move onto solo. If they are not at that stage yet but have completed the pre solo segment then that particular student can be moved onto the post solo requirements. Although this is nothing something many schools will do, it is a very feasible possibility. The solo hours can be concluded after this part. Quite often, the biggest stumbling block to not flying solo is the insecurities experiences with the landings. In cases such as this, extra flights are a good solution. This is where an added expense may occur if you did not count on extra flights.
So you are faced with the two segments as we mentioned which is the aeronautical knowledge and then once that has been successfully completed you move on to aeronautical experience. It makes common sense that a thorough knowledge of flying requirements be well absorbed before a would be pilot takes to the air.
It does not matter how much an individual loves to fly when they become the one behind the controls there is bound to be a certain amount of insecurity seep in to begin with. It is up to the instructors to know exactly what level of knowledge and confidence their students are at. The Pilot in training logbook becomes the most important record of knowledge and experience when it comes to their completion of qualifications and training. Everything they learn and do must be recorded here. Every requirement of training must be noted and signed by the training instructor. Without the logbook, being properly completed there is no point in even attempting to qualify for your license. There is no overlooking any of the requirements. The examiners are strict and rigid on their demands.
Do not try to cut yourself short on your studies for pre solo requirements. If you take this segment of your course lightly then there is a good chance you are not going to progress past this point. That means you will never acquire your private pilots license and you have wasted your money. Flying is a very serious responsibility and priviledge. Therefore, all aspects of training including both theory and practical must be approached in that manner. It is natural to want to get up in that plane totally on your own as quickly as possible. It can only be done with safety being the priority. It is worth taking the time to complete your studies as efficiently as possible.
2015 has been a fine year for NAO, whose brilliant "wonky funk", presented in two critically acclaimed EPs, has earned her fans on both sides of the Atlantic. But with a debut album on the horizon, 2016 looks set to be the year when her mix of r'n'b, soul and electronic textures seduces a wider audience. "I've been learning about myself quite publicly with those two EPs," says the singer-songwriter from East London. "I know what I want to say now."That much is clear from NAO's latest song, Bad Blood, a teaser for next year's LP. Given its radio premiere on Annie Mac's influential Radio 1 show, the prowling, sensual track shows how much NAO's song writing has evolved since she first started performing solo 18 months ago. The song, inspired by an intense teenage friendship, earned much praise in the blogosphere. Admittedly, that's nothing new for NAO, whose February 15 and So Good EPs gained love from the likes of Pitchfork, The Fader and Spin. But if she's flattered by the attention, the artist has no intention of being just another tastemakers' favourite on the internet. "My friends and I have been making beats and songs for a while now, sometimes we can get bogged down in the detail of how to make the music interesting," she ponders. "Mostly it doesn't matter; music should touch you, that's all it should do."None of NAO's tracks have failed that test. From the up-tempo strut of Inhale Exhale ("quite in-your-face"), to the delicate coos of Apple Cherry ("a good broody tune"), the Londoner has the many facets of 21st century soul covered. There's also the zany charm of Zillionaire, the subtle groove of Adore You, and the simple love song for her boyfriend, It's You. For a new artist, NAO's identity is already clear. She may have collaborated with a wide range of on-the-money producers A.K. Paul, Abhi/Dijon, Disclosure, Mura Masa to name but a few but she writes all her own songs and each track is stamped with her unique voice and vision. It was NAO's future manager who first saw her perform at someone else's gig, and asked her if she'd considered doing solo stuff. She had, but had been quite content working as a session singer, having graduated from the Guildhall School of Music a few years earlier. The question was timely though. "The more I thought about it, the more I thought: actually, yeah, why not?" This set her on a quest to find her own sound. A session with the mysterious producer A.K. Paul, with whom she produced the excellent 'So Good', proved to be a turning point. She realised she should do what came naturally to her. "Beforehand, the songs were quite dark, quite James Blake-y, and everything was a bit moody. And then I did the session with Anup and I realised how easy it was to write the song." NAO's natural knack for melody and lyrics, twinned with Paul's nuanced production, make an irresistible combination. "I just noticed how easy it was for me to write soulful r'n'b melodies," she says. "I didn't have to think about it, if the beat was right."NAO admits that the classic 1990s r'n'b tunes she listened to growing up lie at the heart of her writing. "I can't help that coming out when I write and sing, because that is what I listen to. But for me, it's about being able to interpret that in a different way – in a 2015 way."But it's not just r'n'b which influences NAO: all sorts of music have seeped into hers. The youngest of a large clan of siblings, she recalls the brother who liked grime and drum'n'bass; another one who loved Nas and Jay-Z, the greats of American hip-hop; another who was more into Michael Jackson, Stevie Wonder and Prince; and then there's her big sister, who encouraged her love of Brandy, Missy Elliott and SWV. Meanwhile, her mum was into gospel music, and even that has had its effect: "I like to put a lot of emotion into what I'm singing. I hope that people believe me and see that it's the truth." In other words, it's all been a melting pot. "I don't think grime is in there though!", she laughs.Then there's her knowledge of jazz, which she studied at Guildhall. For NAO, standards by the likes of Cole Porter and Bernstein are another source of inspiration, for their craft and lyrics. But she's wary of letting that formal education harness her own creativity. Jazz can be great for pushing you musically, but ultimately, she wants her tracks to connect with all sorts of listeners, with no complications. "The 18 year old nurse who gets home and just wants to chill – can she relate?" In fact, NAO really developed her distinctive voice earlier on, at an after-school club in Walthamstow, singing with all sorts of people every Thursday night. She chuckles now thinking back to her practising at home, "putting my karaoke machine on, finding ways of getting better." Performing gigs with the club could be quite a random affair – in schools and town halls – but learning how to reach an audience was invaluable. "It really helped, because you have to get them to engage with you. I think that's where I learned the most."As NAO prepares her new LP, one thing is for sure: if you can expect a few "broody" tunes, don't expect the usual moping about of much of today's alt-r'n'b. "I wonder if most people, when they're writing, fall on the darker side because it's easier to write," she muses. She's more interested in "being a bit more conscious: writing songs that do explore a lighter mood, or a sentiment other than the dark. I hope to have a good balance of it all." She singles out the track Inhale Exhale as a good indicator of where she's going: "the tempo, the beat – you get it straight away, with the kick and the snare". Its construction is devastatingly simple. "The melody is on the edge more, and it's just me and the bassline doing it together. But you can still dance to it, it's still got a groove."As always, the tracks are being released on NAO's own label, Little Tokyo. The artist first created the imprint in order to retain the rights to her masters. But she has big ambitions for it, hoping one day to be able to sign other artists, set up a regular Little Tokyo night, and develop her own merch: "In a dream world, I'd do lots with it." And it's not just her business she is building slowly but surely; the same goes for her image. Previous artwork has focused on the theme of hands – a way of keeping fans guessing, not giving too much away too soon. A forthcoming video for Bad Blood, recently filmed in Bulgaria, should provide more clues. Meanwhile, her live gigs – including an acclaimed stint supporting Little Dragon last year – have also helped her develop her persona. With so many grooves in her repertoire, a NAO stage show has to include a little bit of dancing – something she loves. ("It's got some movement – but it's not Steps!")Key to it all, she has found, is honesty – just being herself. NAO's stage name is actually just her Christian name lightly tweaked, and that sums it up: NAO is "a hyper-version of me, I guess". soundcloud.com/thisnaothisnao.tumblr.com