Want to avoid being ripped off when it comes to international calling cards? There always have been and there always will be people trying to scam you in this market. With the popularity of these calling cards, buyers must be extra cautious. Don’t be fooled by some of the very cheap rates that you see advertised in the posters in shops. Read the fine print on the posters as many of the phone cards charge ongoing admin or maintenance fees even if you don’t use the phone card. Although, this is not strictly illegal as the fees are stated on the posters people don’t bother reading the fine print and get ripped off.
Given the intense competition for the international tele-phone card market, we have decided to provide you with some essential hints and tricks to avoid losing money when it comes to buying international calling cards.
Tip 1: Do your research
By simply talking to people who often use these calling cards you can find out which cards are good. If you don’t know anyone that uses calling cards to call overseas you can also check out online forums such as whirlpool or www.phonecardreview.com.au , to get recommendations on a good calling card.
Tip 2: Compare Deals
Online Calling card comparison sites such as www.phonecardchoice.com allow you to search by location, by brand and by price for the best phone card for you. If you are unsure which phone card is best for you, you can also call their customer service number on their contact us page and they will be happy to recommend a phone card for the country that you want to call to.
When looking for potential calling cards it is also worthwhile to think about:
1. Calling Locations: if you only want to call one destination, you can often get a good deal to that country alone. This deal will not be as a good if you call a different country as even though phone cards can be used to call any country like your home phone, phone card companies often offer special phone cards that are targeted at only a few countries. It may be worthwhile buying more than one phone card if you are intending to call more than one country. Sometimes even if you are planning to call a mobile and land line in one country, it may still be worthwhile buying two phone cards as one card may not offer you the absolute best rate for both mobile and landline for that country.
2. What are online forums saying about calling particular cards. Try some specific online search queries in Google or MSN for your particular needs, such as”calling Brazil from USA” or “call USA to Argentina cheap” or “calling Papua New Guinea from USA”
3. Also try some research for specific calling card brands. You will find that big telecommunication companies such as Telstra has a very poor reputation online, whilst other popular calling cards as Bill Busters have a very good reputation. Use the American telecommunication whirlpool forums.
Tip 3: The Fine Print:
Read the fine print. Sometimes if you are not careful you might end up buying a calling card that charges hidden admin charges and ongoing maintenance fees. These cards charge you an ongoing weekly or monthly fee even when you don’t use your phone card. If the calling credit on your phone card seem to be going down even when you are not using your phone card this may be the problem.
Phone card rates have fallen dramatically over time. Unless you are an extreamly heavy user, your card should last for many months. Accordingly, make sure the expiry date on your phone card lasts you long enough for you to make as many calls as you want. Some cards do not allow you to recover your expired credit even though your recharge your phone card (this is bad). Websites such as www.phonecardchoice.com sell very competitive and ethical calling cards online that last for 6 months from when you start using the phone card. If you do not fully use up your phone card within 6 months, any expired credit is recovered and refreshed when your recharge your calling card with them.
When vocalist Astro and keyboard player Mickey Virtue rejoined forces with Ali Campbell, the spirit of their old band UB40 was never going to be far from the surface. All three were founding members of the iconic Birmingham reggae troupe who topped the UK singles chart on three occasions and sold 70 million records as they took their smooth yet rootsy musical blend to all corners of the globe.Having reiterated their credentials as consummate live performers with triumphant gigs this year in places as far flung as Nigeria, South Africa and Papua New Guinea, Ali, Mickey and Astro are now turning their attention to the studio and a new album, Silhouette, that is an inspired mix of freshly-minted new songs and sparkling, reggaefied cover versions of classics by The Beatles, Bob Dylan, The Chi-Lites and others.Silhouette, recorded in London's legendary RAK Studios, plays unashamedly to the trio's strengths. Ali's voice, described by Astro as being 'like a fine wine' (red, presumably), remains as strong as ever – rich, melodic and instantly recognisable. With the redoubtable Astro lending strong vocal support and Mickey's keyboards to the fore in a new band that includes a three-piece horn section, their lithe but potent sound should delight fans old and new."Going into the studio with Ali again took me back in time," says Astro. "We hadn't recorded together for years. But, once he started singing, the years just rolled away. And, whenever I had my own ideas for a vocal part, I was encouraged to go for it. There was never any hassle, as we're all having such a blast.""Silhouette is like a continuation of the solo albums Ali has made since leaving the old band," adds Mickey. "Musically, he's been really consistent. Ali's genius is the way he can work a set of lyrics around a great melody. Any song he sings could easily be a UB40 tune."Among the album's highlights is the title track and first single Silhouette. A 1957 hit for the American doo-wop group The Rays, though the yearning take that appears on the album owes more to an early 1970s version by the crown prince of reggae, the late Dennis Brown. "It's a cracking tune and the reaction when we play it live is phenomenal," says Astro, who adds vocals to the track. "We've always mixed covers and originals. On the first UB40 album, Signing Off, we had one song by Randy Newman (I Think It's Going To Rain Today) and another made famous by Billie Holiday (Strange Fruit)."Silhouette also includes an upbeat reggae interpretation of Any Time At All (from The Beatles' A Hard Day's Night album), a cover of Bob Dylan's enigmatic 1966 single I Want You (a number Ali remembers from his childhood) and an inspired take on The Chi-Lites' Yes I'm Ready (a song originally on the B-side of the soul standard Have You Seen Her). Says Ali: "Have You Seen Her was a song that meant a lot to me in the 1970s. I used to listen to the seven-inch single on my Dansette record player in the dark. And, in Yes I'm Ready, there was also a great track on the flipside a song that nobody has really heard of."Two other covers that may be less familiar are Sha-La-La, once a harmony hit for The Pioneers, and Jamaican singer Ernie Smith's Ride On Sammy, a cautionary tale that warns a philandering rude boy to change his ways. There is also the lilting lovers rock of Missing You. It was written by Lionel Richie as a tribute to his departed friend Marvin Gaye, it was a hit for Diana Ross, though Ali is covering the Lee Roy Gibbons version. "Lee Roy misinterpreted it as a love song," he says. "He assumed that Lionel Richie wrote it about a woman he was missing, but it was actually inspired by his memories of Marvin."Amid such originals as the self-explanatory Reggae Music and Cyber Bully Boys, the album contains the poignant Tomorrow On My Shoulder, a previously unpublished track written by Ali's father, Scottish folk singer Ian Campbell. "It's a song about parenthood," says Ali. "My dad gave it to me when I had my first son."As original members of UB40, Ali, Mickey and Astro helped to define reggae music for a generation. The multi-racial band, formed in 1979 in the Birmingham suburb of Moseley, pooled a diverse set of influences to put a fresh, indigenous slant on Jamaican reggae. After encouragement from Chrissie Hynde, who offered them support slots with her chart-topping band The Pretenders, they recorded their independently released debut album, Signing Off, on an eight-track tape machine in the home of producer Bob Lamb. An unexpected number two album, it gave them the conviction to chart their own course."Chrissie Hynde discovered us," recalls Ali. "We'd only done a dozen gigs when she saw us at the Rock Garden in London. She was top of the charts at that time, but she took us on tour. We were on the road with The Pretenders when our first single, Food For Thought and King, reached number four in the charts.""We owed a lot to the late 1970s ska movement, too," adds Mickey. "We shirt-tailed the ska movement but we also stood apart from the 2-tone acts: their thing was a mix of punk and ska and ours was a new homegrown strand of reggae."UB40 went on to dominate charts around the world, not least with the hugely successful Labour Of Love series. The first Labour Of Love album, in 1983, yielded a cover of Neil Diamond's Red Red Wine that topped the charts on both sides of the Atlantic. The band secured two further chart-topping singles at home in (I Can't Help) Falling In Love With You (also another US number one) and I Got You Babe, a duet between Ali and the band's old friend Chrissie Hynde, and Ali and Robin Campbell also scored a No.1 with Baby Come Back. When Ali Campbell departed in 2008 after 29 years and a dozen major world tours with the band, he was followed out of UB40 by Mickey Virtue. Campbell, with Mickey lending a helping hand, has since released two solo albums. Astro remained with the band until November 2013, when he left to team up again with Ali and Mickey. Now, following some spectacular gigs at home and abroad, the trio are facing the future with renewed confidence and vigour."When we play live now, it feels like a real group," says Ali. "The musicians in our band have all played with other reggae acts, so they love what we're doing. And the fact that Astro is back with us after six years speaks volumes about the music we are making.""For me, it's all about promoting reggae. At the end of the day, the fans don't care about what goes on behind the scenes. They only care about the music, and I'm sure they are going to love this record."