Quality Reports On A Varied Collection Of Massive Screen Pictures

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Borderline: An abnormal thriller comedy in which L.A. cop Trevor tries to assemble proof contrary to cunning drug smuggler Burr when mixing with difficult gentleman MacMurray in Mexico. Begins out promisingly, despite the fact that sooner or later slows down in silliness. Burr tends to make a lucid scoundrel. Cast involves Fred MacMurray, Claire Trevor, Raymond Burr, Jose Torvay, Morris Ankrum, and Roy Roberts. (88 minutes, 1950)

The King and I: Phenomenal film adaptation of the Rodgers and Hammerstein Broadway musical, primarily based on the novel filmed in 1946 as Anna and the Baron of Siam (and redid as Anna and the Emperor). Kerr plays the widowed English college teacher who voyages to Siam to instruct the Baron’s several kids, and finds handling His Highness her ideal test. Brynner gives the acting job of a generation, and was rewarded with an Oscar reconstructing his Broadway part. Kerr is charming and her harmonizing voice was dubbed by Marni Nixon. Melodies contain “Hello, Young Lovers,” “Getting to Know You,” and “Shall We Dance.” Cast contains Deborah Kerr, Yul Brynner, Rita Moreno, Martin Benson, Terry Saunders, Rex Thompson, and Alan Mowbray. (133 minutes, 1956)

Blithe Spirit: A delectable adaptation of Noel Coward’s comedy fantasy in regards to a guy whose extended given that passed 1st spouse seems to haunt and tease him in his recently wedded life. Rutherford is remarkable as Madame Arcati, the metaphysical medium. This film created an Oscar for its visual effects. Cast involves Rex Harrison, Constance Cummings, Kay Hammond, Margaret Rutherford, Hugh Wakefield, and Joyce Carey. (96 minutes, 1945)

Jupiter’s Darling: Lavish musical of Robert Sherwood’s Street to Rome, which weighs down in boredom. Williams is a temptress who dallies with Hannibal (Keel) to quit an attack on Rome. Cast consists of Esther Williams, Howard Keel, George Sanders, Marge and Gower Victor, and Norma Varden. (96 minutes, 1955)

Sudden Death: The sarcastic master mind Boothe keeps the Vice President captive in a secluded box throughout Stanley Cup hockey playoffs in Pittsburgh, requesting a few billion dollars, or he’ll blow up the entire stadium. Nonetheless fire inspector Van Damme is on the job and Boothe has foolishly seized our idol’s infant girl. Cast includes Jean-Claude Van Damme, Powers Boothe, Raymond J. Barry, Whittni Wright, Ross Malinger, Dorian Harewood, and Paul Mochnick. (110 minutes, 1995)

For Me and My Gal: Music maintains the style of vaudeville couple decided to play Palace, circa WWI. Kelly’s film debut, and he and Garland harmonize title tune and other old prime options. Cast contains Judy Garland, George Murphy, Gene Kelly, Marta Eggerth, Ben Blue, Horace McNally, Keenan Wynn, Sandra Goldbacher, and Richard Quine. (104 minutes, 1942)

Richard the Third: An elaborate rendition of Shakespeare’s journal of an ambitious 15th-century British baron and his court captivates. Cast contains Laurence Olivier, John Gielgud, Ralph Richardson, Claire Bloom, Alec Clunes, Cedric Hardwicke, Stanley Baker, and Pamela Brown. (155 minutes, 1955)

Marie Antoinette: This film is a visually sumptuous account of an adolescent’s voyage from Vienna to the Palace at Versailles and the throne of France. Author-director Coppola’s Marie (as played by Dunst) is a contemporary-day gal, with contemporary music set contrary to the pomp and circumstance of the 18th century life. Begins to tire sooner or later and ends with a cry, not a smash despite the fact that there is significantly to like here. Cast contains Kirsten Dunst, Jason Schwartzman, Judy Davis, Tear Tom, Steve Coogan, Rose Byrne, Asia Argento, Molly Shannon, Shirley Henderson, Danny Huston, Marianne Faithfull, Mary Nighy, and Sarah Adler. (123 minutes, 2006)

Slaughter’s Large Rip-off: A murderer is nonetheless playing games with the Mob in this dull action film. McMahon gives much more effort to his part as the mob boss than it merits. Cast involves Jim Brown, Ed McMahon, Brock Peters, Don Stroud, Gloria Hendry, Dick Anthony Williams, and Art Metrano. (93 minutes, 1973)

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